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Several other European countries, including the United Kingdom, France and Germany, have set minimum age limits for viewers of the film, which depicts the decline of the Mayan empire. The country's film review board, which typically comprises parents, industry members and a psychologist, approved the film for viewing by all ages. Rutelli added that the current rules "are now 45 years old and no longer suited to current times."Īpocalypto, which opened in North America in December, was released as scheduled across Italy on Friday. "I have called a meeting for Monday to take another look at the rules on authorizing movies," Italian Culture Minister Francesco Rutelli told reporters Friday.
#APOCALYPTO MEL GIBSON MOVIE#
Obviously, that Gibson fellow has some funny ideas which can make us look askance at his movies.īut in Apocalypto they don't get in the way of telling a simple exhilarating story in a film that is often gory but never boring.Italian officials are scheduled to meet next week to discuss how movies are rated, after a consumer group raised concerns about the movie review board approving Mel Gibson's Apocalypto for all ages. Those closing scenes are a poetic touch, even if they - like the pre-credit opening quote: "A great civilisation is not conquered from without until it has destroyed itself from within" - feel like attempts to make the film live up to its portentous title.īut for the most part, Apocalypto is just a bloody great thriller set against a fascinating and vividly rendered ancient world. If that's where Apocalypto turns from something novel to something conventional, its sense of pace and inventive action keep it fiercely thrilling right up until its Big Surprise Prophetic Ending. Having convinced us of its ethnographical bona fides in its first half, complete with gory interlude in town, it turns into a breathless jungle-chase film in the second as Jaguar Paw (Youngblood in a captivating lead performance) attempts to escape those who ravaged his village and kidnapped him so he can rescue his pregnant wife and child. Yes, that it says Mel Gibson's Apocalypto on the poster is as much a warning to the sensitive as the censor rating.īut as unsettling as much of it can be, as dubious an actual history lesson it certainly is (complete with simple-minded hypothesis about the collapse of the Mayan civilisation and its parallels to today), Apocalypto is still one wildly exciting ride. Heck, the poor chaps lined up to appease the gods with the loss of their heads get a coat of bodypaint which just might be "Braveheart blue" on the colour chart.
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Like his last hit historic epic, it comes with subtitles for obscure ancient languages, the carrying of large bits of wood to a sacrificial altar and a hero who gets a spear in the side and carries on regardless. Like some of Gibson's previous films, Apocalypto also comes with a man driven to his limits trying to save his family. There's the inevitable bloodlust and madness, the torture of semi-clad men, the humour which runs to testicular fortitude, mother-in-law gags and movie in-jokes - and that's not counting the sister city comparison between the Mayan city here and Bartertown of Mad Max Beyond Thunderdome. You could, as Apocalypto unfolds a depiction of pre-European Mayan life, spend a lot of time ticking off the Mel Gibson-isms as they arrive, mostly kicking and screaming.